The main approach of this paper is to look at design research from a systems-oriented
perspective. This implies that design research is understood as a dynamic and emergent field
of interrelated or contradicting thoughts, concepts and ideas.
|Image from Mena Design Research|
They address some of the positions, concepts, and discussions going on in the field, arguing that practice research in design is the most central.
The current state is discussed and the relation between design research and other modes of
knowledge production are looked at.
A main tendency seems to be that design research is moving towards greater complexity both in issues and approaches and that Research by Design is becoming ever more central.
Research by Design emphasizes insider perspectives, a generative approach, operates in rich and multiple layers and relates to real life contexts. The output is new communicable knowledge that is only found within design practice.
The next two sections of the paper discuss the various possible relations between design practice and
These span from distant perspectives where design practice is observed by outsider researchers, looking at practice retrospectively or contemporarily as in case studies, to participatory research and insider perspectives where the designer-researcher uses his or her own practice as a means for investigation and a bases and subject for reflection and knowledge production.
The last section proposes the critical application of multiple perspectives, methods and media in composite approaches to design research. This analysis does not claim to provide a complete picture, but it suggests a method of looking at the field of design research in both a more holistic and more specific way.
This could be helpful to position the individual design researchers approach in the complex landscape of design research.
Arguing that ‘traditional sciences’ are very complex and manifold, design research is in itself a very complex, if not one of the most complex field of knowledge production.
The paper claims that such a complexity demands an equally rich repertoire of interrelated methods and positions.
Author: Birger Sevaldson
Oslo School of Architecture and Design, Institute of Design